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Th[is long-lost maste\rpiece .of +;hardcore [gay ]^!`erotic $cin;?ema c$=en[ters on a, handsome_ young stud #who rides(+ his + motorcycle -)thr+*.ough myr/i?ad se+\\*xu._a/@+l encounters, from a^`\ s),[occer game=!’s locker [`room ^to a, p.hantasmago) *ric and deeply melan !choly orgy. A lab^+yrinth of all-male fanta@ sie%$s whose outstand
,ing b!=e[auties); a-lways end u+ #p f\-:ad+ing away while lea?$?ving t,;heir sens#u;_a^l pr.]otagonist d.ealing
 with his own #lo)[[neliness, EQUATIO]+)#N was directed ^w ith[ !!supreme grace b:y th
e mysterious ]Dietri!.ch de Velsa (aka Francis Savel/\/Frantz ^] Sal:ieri). A) former pai
nter, de Ve[!lsa% wa /.s also /%the=+ owner and artistic director of La(+ Grande Eu%gène, one o:`f the fir:;st[ drag caba:,rets ) in Pari_[s. `Yea\[ rs ?later[;, h#+e colla:bor at$ed @%.`with Joseph*^ Losey on MR. KLEIN (1976) ,. an*+d DON GIOVAN$N?I (1979). His o%($n^\ ,e a
 nd o=.nly film, EQUATION TO A@*\N UNKNO@\@WN %]stand s ) !as -^)=o-[ne o@f the most (%extraord=inary erotic films of _all time.                                    
.                                “T;
he mos!;t `melanchol;$ic porn f,ilm). I’_.ve$ eve!r seen.. 
It’s very sad, and *aest+[he! tica^_:lly beautiful. Just?` a youn^g man wande?_rin=:g thr+oug+h se??v-!er+ `+al depicti@ons of lo%/=)ve a/$nd choreog
 raphies )%of love-m#@aking; ??it’s l)-+(i-
ke a cer)emony, a\:: ceremony o;=\f fantasies, espec.*ially the last sequence wh,,er,e the mai`=n char`=+acter recalls all his pr`ev_ious fan+ tasies:!, which come one by one around his bed
an,^d make lov=e to him(. I thi n[#k it’s o:ne of the most beautifu/]l
film sequences o
@f _Fr.ench ci(nema.” _%–Y)ann/
Gon*zalez